Red Earth
11/19/2009 15:56
Oklahoma is most frequently thought of by the public and portrayed by environmental historians as the site of the 1930s Dust Bowl of Steinbeck’s Grapes of Wrath. Donald Worster wrote his classic tale of ecological mismanagement in the same year that Paul Bonnifield wrote a story of the triumph of Oklahoman spirit in the face of natural disaster (1979, The Dust Bowl and Dust Bowl, respectively). William Cronon used the 180 degree disparity between these histories to comment on the incredibly subjective nature of (even environmental) history, finally threading a way (after four rewrites, he says) through post-modern concerns regarding narrative and cognition, to an embrace of history as a more-or-less moral fiction, aiming at (but never quite reaching) truth (“A Place for Stories,” JAH March 1992).
In contrast to these tales of declension and progress, Lynn-Sherow writes about the settlement of Oklahoma a generation earlier, and wonders what might have been. “Of all the ways in which history can be written and remembered,” she says, “human based environmental change is often a ‘winner’s’ history told by the people who remain” (145). Through a variety of influences including chance, culture (including racism), and environment, “in less than one generation, the collective farming practices of the Kiowas [tribe] and the mixed-use practices of African American settlers were swept aside” (147). In their place, “an elite group of native-born white farmers were eventually triumphant” and a “highly diverse ecology of native plants, animals, and people” became “a more simplified ecology centered on a scientifically approved list of domesticated crops and animals.”
Her conclusion, that “white farmers’ acceptance and enthusiasm for mechanized agriculture…initiated and sustained the simplification of the territory” is a declension, in the sense Cronon said Worster’s book was. Or is it? A more simplified ecological system is usually more fragile and subject to disturbances (like drought). So she’s using Cronon’s "second set of narrative constraints" (making "ecological sense") to get past the subjectivity of her judgment that monoracial commercialized monoculture is bad. Cool.
